A Silver Pen, A White Envelope, And A Room Of One Hundred And Ninety People Waiting For Me To Break

I told the room I had signed happily because the paper waived a claim I had never wanted and would never need. Five months earlier, the terrain analysis firm I had built quietly over eleven years had been acquired, and the acquiring group had, as part of an unrelated portfolio purchase, taken a controlling position in the debt of Crawford’s own holding company. I had not chosen that. I found out in a due diligence memo and told nobody, not even Emmett. I told the room I intended to do nothing with it, that I had never wanted a cent of his family, and that I had only ever wanted his son.

Then I took Crawford’s hand, the way you would to steady someone, and said quietly that he was welcome to stay, and that I hoped he would. He left within four minutes. His wife stayed until the last song.

He wrote to me fourteen months later. Two paragraphs, no excuses in them. I wrote back. It took another three years before he could sit at a table with me without rehearsing something first, and he is better now, and he is old, and he is trying.

Emmett and I have a daughter. Crawford reads to her.

I never needed that room to know who I was. I only needed to stand in front of a man who had decided otherwise and refuse, calmly, to become smaller for him.

Aria Lexicon is the pen name of the writer and editor behind The Daily Signal, a site for original short fiction about families, grudges, awkward neighbors and the small decisions that turn into big ones. Every story is invented; every character is made up. When She isn't writing, She's reading other people's stories and trying to figure out why the good ones work.

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